ST. GEORGEN · SALZBURG

WERKSTATTARCHIV · KAPITEL I

From trunk to form.

Every mask begins as wood. Between the blank and the finished piece lie a clear drawing, sharp carving knives and many precise steps.

BEFORE THE FIRST CUT

Wood selection and drawing come first.

Wood species, grain and growth direction determine how the blank can be worked. Proportions and lines are then set before the first form is cut.

WERKSTATTREGEL · IWas im Rohling übersehen wird, lässt sich später nicht zurückholen.Material zuerst · Form danach

THE PROCESS

Three stages. One hand.

Detail einer handgeschnitzten Maske im Rohzustand

01

Wood & idea

Wood species, grain, proportion and drawing set the character and direction.

Sebastian Eder formt eine Maske in der Werkstatt

02

Form & depth

Volume is carved out. Eyes, mouth and cheeks gain tension and expression.

Fertige handgeschnitzte Holzmaske

03

Details & surface

Fine cuts, colour, horns and visible tool marks complete the piece.

Sebastian Eder arbeitet mit Schnitzwerkzeug an einer Holzmaske

AUS DER WERKSTATT

The right tool for every step.

Chainsaw, mallet, carving knives and sanding tools each have a distinct job. The form and intended surface determine which tool is used.

Clean work requires a steady grip, sharp tools and enough time.

THE NEXT STEP

A mask made to your specifications.

Would you like to order a hand-carved mask or learn to carve one yourself? Choose the right place to begin.